randian | 燃点

Hanart TZ Gallery is honoured this April to present “A Singular Life: Yeh Shih-Chiang” the first solo exhibition at the gallery of works by the Taiwanese master painter and calligrapher, Yeh Shih-Chiang. >> Read more

More than just a form of artistic expression, ink art and especially ink painting, is a cultural signifier. >> Read more

Emerging after the Cultural Revolution, Chinese contemporary photography has more than forty years of history. This exhibition is divided into four sections: “The Rise of Unofficial Photography (1976–1979)”, “New Wave Photography (1980-1989)”, “Experimental Photography (1990-2006)”, and “The Development of Experimental Photography Organizations (2007-present) ” >> Read more

Jizi’s work confronted the legacy of the Revolution’s antipathy to religion and traditional Chinese life and attitudes. Deeply interested in the spirit, the artist’s work contains a strong metaphysical strain and sheds light on the complex, and at times contradictory, impulses at work in contemporary Chinese art and culture. >> Read more

Long Musuem (Chongqing) opened to the public on May 27. Ms. Wang Wei is the director and chief curator of the Long Museum Chongqing. >> Read more

Long Museum Chongqing was under preparation and would be open to public on May 26, 2016. After the opening of the Long Museum Pudong and the Long Museum West Bund in Shanghai, this is the first major step it has taken to extend its reach to the south west region of China. >> Read more

Gagosian New York is pleased to present paintings, sculpture, and works on paper by Zeng Fanzhi. >> Read more

Wu Hung has pioneered the conversation on medium-based division at the center of Chinese contemporary art. >> Read more

The scholar’s studio is a refined place of creation and presentation. Art+ Shanghai Gallery celebrates links to tradition to inspire creativity and contemplation. >> Read more

Since the late 1980s, contemporary Chinese art has gained an increasingly high profile within the international art world. This profile has accrued for four substantive reasons: first, because of the sometimes highly innovative way in which producers of contemporary Chinese art have sought to combine/hybridize attitudes, >> Read more